In Our Time: Selections from the Singer Collection
In Our Time: Selections from the Singer Collection
In Our Time: Selections from the Singer Collection
  • Load image into Gallery viewer, In Our Time: Selections from the Singer Collection
  • Load image into Gallery viewer, In Our Time: Selections from the Singer Collection
  • Load image into Gallery viewer, In Our Time: Selections from the Singer Collection

In Our Time: Selections from the Singer Collection

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The exhibition catalog, In Our Time: Selections from the Singer Collection, includes a selection of paintings and works on paper collected by Iris and Adam Singer over the span of 16 years. Anchored by the work of 27 contemporary artists living and working in cities such as London, Beijing, New York, New Haven, Los Angeles, Accra, and Nairobi, In Our Time speaks to the immediacy of this moment on a global scale, as well as the key ideas, narratives, and concerns that artists have been exploring over the past 25 years. This selection of 40 paintings and works on paper includes a range of styles and approaches, careers from emerging to established, and themes both personal and ubiquitous. 

Featuring short form essays by eleven contributors: Natasha Becker, Camille Bacon, Alejo Benedetti, Derek Fordjour, Jennifer McCabe, Richard Powell, Kellie Romany, RJ Salley, Keshia Turley, Emily Wilkerson, and Allison Young. Alongside color reproductions of artworks by Tunji Adeniyi-Jones, Patrick Alston, Hurvin Anderson, Annan Affotey, Michael Armitage, Amoako Boafo, Mark Bradford, Dominic Chambers, Jadé Fadojutimi, Derek Fordjour, Alex Gardner, Rashid Johnson, Rachel Jones, Danielle McKinney, Wangechi Mutu, Toyin Ojih Odutola, Chris Ofili, Naudline Pierre, Otis Kwame Kye Quaicoe, Nathaniel Mary Quinn, Betye Saar, Tschabalala Self, Vaughn Spann, Genesis Tramaine, Zandile Tshabalala, Kehinde Wiley, and Michaela Yearwood-Dan. Special sections on artist Mark Bradford and Merryn Omotayo Alaka.

Organized by the Scottsdale Museum of Contemporary Art (SMoCA) and guest-curated by Allison Glenn, Senior Curator, New York’s Public Art Fund.

  • Full Color
  • 245 pages